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Michael Brook - BA (Hons) Computer Animation Arts, UCA Rochester

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    I feel like, at the moment, it doesn't feel immediately apparent that we're witnessing the boys' imaginations as opposed to something that exists in their world, and I'm not sure whether this is something that helps or hinders the animation - what do you think?

    Alex suggested that I could include some dialogue at the beginning of the animation in which the younger brother says that he wants to play a game, which can then lead into the current script. Do you think this would be an improvement? Or is there anything else you suggest?
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    This is what each scene is representing:

    Scene 1 - Moana
    Scene 1 demonstrates the expectation to have children, with the act of sailing away being representative of a woman's freedom of choice.

    Scene 2 - Katniss
    This scene is used to show how women can often be expected to become housewives, with their homes almost acting as a prison - or a dome.
    The frantic attempts at escape in the beginning demonstrate how some women can almost be subdued into becoming what is expected of them.

    Scene 3 - Mulan
    This scene portrays the expectation women face to get married and how they are essentially handed from one man (their father) to the control of another (their husband).
    The transformation into Mulan represents how women are capable of leading men.

    Scene 4 - Furiosa
    This scene portrays how men can objectify women, while the endless desert is representing the way this objectification can cause a feeling of isolation or separation.

    Scene 5 - Ripley
    In this scene, the Alien queen is used as an embodiment of the pressure women face to have children, while the protagonists destruction being representative of the anger felt towards these outdated expectations.


    Any feedback would be appreciated.
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    This is what each scene is representing:

    Scene 1 - Moana
    Scene 1 demonstrates the expectation to have children, with the act of sailing away being representative of a woman's freedom of choice.

    Scene 2 - Katniss
    This scene is used to show how women can often be expected to become housewives, with their homes almost acting as a prison - or a dome.
    The frantic attempts at escape in the beginning demonstrate how some women can almost be subdued into becoming what is expected of them.

    Scene 3 - Mulan
    This scene portrays the expectation women face to get married and how they are essentially handed from one man (their father) to the control of another (their husband).
    The transformation into Mulan represents how women are capable of leading men.

    Scene 4 - Furiosa
    This scene portrays how men can objectify women, while the endless desert is representing the way this objectification can cause a feeling of isolation or separation.


    I still need to edit Scene 5 which I will link to the expectation of child birth that women often face - with the Alien queen acting as a physical representation of this expectation as its entire role is essentially to lay eggs.
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    I still need to remove the Trinity scene and replace it with another hero - I'm currently thinking of going with Moana as she is representative of female freedom and her character would fit well into the first scene as this is when the protagonist first leaves her old life in search for something else.
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    This new script is a bit of a departure from my original idea and is incorporating a lot more of Phil's feedback in regards to making the animation more in the vein of 'Duck Amuck' which has been a big influence. With these changes, the animation will be more entertaining and significantly less preachy/intrusive, instead allowing the same message to be told while remaining light and fun.

    This animation will demonstrate the strength of women both inside and out of Hollywood, with the Protagonist representing women versus the Voice-Over acting as the controlling rulers of cinema who, even still, make choices with female characters to appeal to the male gaze.

    All of the concept art that I've created so far can be transferred directly into the new story as the art style will remain the same, except I will now be designing costumes for the characters to make them more recognisable as existing movie characters.


    I feel that the Mulan scene could be reworked to flow better as it currently doesn't feel as impactful as the others. I also think the V/O's dialogue will need some editing here and there to make it feel less static and forced, perhaps even removing it entirely.

    From here, I will start designing costumes for the characters and new environments, as well as finalising existing concepts. I will then work on a storyboard, incorporating all feedback on this script, and get in contact with voice actors.

    I would appreciate any and all feedback.


    Duck Amuck
    6 Duck Amuck from JID on Vimeo.



    The Matrix - Lobby Scene



    Kill Bill - Vernita Fight Scene



    Mad Max: Fury Road - Immortan Joe's Death



    Aliens - Alien Queen's Death
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    With Alan's help, I wrote this overview of our idea, which works significantly better than what we originally came up with. We will now start creating our 3-Panel Comic and recording for the Animatic.

    1 - Title Sequence (with epic hero music)

    2 – Slow pan down set of house stairs showing corny framed Flash posters on a wall
    Cuts to close-up of eyes, looking determined (music continues)
    Mid-shot and music cuts out as the Flash starts to go up the stairs extremely slowly in a stairlift
    [CUT]

    3 – (Fast sequence) Close-up of a pair of eyes as a black mask is quickly pulled down, snapping as it’s released
    Close-up of left hand pulling on a glove with a snap
    Close-up of right hand pulling on a glove with a snap
    Close-up of Batman’s utility belt being clipped around his waist
    Close-up of his gloved hand spinning ring of keys around his finger
    Close-up of keys going into ignition with a roar of an engine
    Mid-shot of garage doors opening, as an old Batman drifts out on a mobility scooter
    [CUT]

    4 – Mid-shot of the Flash still going up his staircase excruciatingly slowly, with the wall behind him being filled with framed posters of his previous accomplishments (a funny poster of Flash in his hay-day saying something about speed)
    [CUT]

    5 – Top-down of huge traffic jam, occasionally individual cars jolt forward slightly and try to manoeuvre around (honking, loud music and baby crying can be heard)
    Mid-shot of a man in a car
    The car jolts forward transitioning to a close-up of Bruce Banner’s face (honking is louder)
    His face quickly snaps to the right of the screen
    Mid-shot of a woman in her car with a screaming child in the back (hair messy, stuffed toys etc. strewn around)
    Close-up of Bruce’s face, with his eye twitching
    Bruce’s face quickly snaps to the left of the screen
    Close-up of a young person listening to extremely loud music
    Return to close-up of Bruce’s face starting to grimace
    Bruce starts to turn slightly green and then suddenly puffs up in his Hulk form
    Mid-shot to reveal Hulk is filling the interior of the car with his body, making the car bulge
    Hulk lowers his head and grunts a sigh
    [CUT]

    6 – Another mid-shot of the Flash, the exact same shot as #4, except he is further up the staircase, still moving extremely slowly (with same poster about speed in the background)
    [CUT]

    7 – Distant shot of buildings on the horizon
    A silhouette jumps into the air, moves forward slightly and falls to the ground (with a quiet “HEUNNGH” with every jump)
    The silhouette makes more attempts (making an exhausted “HEUNNGH” sound), falling every time
    The silhouette jumps once more, making the same sound of exertion, and manages to fly off-screen
    The flying character hits the ground with a thud in the mid-ground and skids (on his face) until he’s close to the camera
    Superman stands up, brushes himself off and jumps off-screen with another “HEUNNGH!”
    [CUT]

    8 – Mid-shot of the Flash slowly reaching the top of the stairs
    He unbuckles and stands up
    Close-up of Flash’s bare feet
    Close-up of his eyes
    Quick close-up of feet again and switch back to eyes
    Close-up of slippers at the foot of the stairs (with Flash visible out of focus at the top)
    Close-up of a green button being pressed
    Mid-shot of the going back down the stairs slowly
    [CUT]
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    You mentioned that there ought to be a Scene 5 in my script, but I'm not too sure how it should end.

    - I could change the entire ending to the patient receiving chemotherapy and having a new liquid colour (possibly yellow as that is the colour of methotrexate) flushing out and/or destroying the roaming cancer cells and keeping the tumours at bay

    - The ending could stay the same as it is but either the narrator or on-screen text issues a kind of warning that cancer can strike at any age (or something to that effect), kind of like an advert

    At the moment I prefer the idea of the advert, but if you can think of a better way to end it, please let me know
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